In this short film, new meanings and emotions are formed between ordinary visuals and sounds. With the interplay of two visuals and a sound, these three elements are in harmony or disharmony with one another, creating another dimension for these recorded experiences.

Read more about the project below.

In this short film, new relationships and emotions are formed between ordinary visuals and sounds. With the composition of 3 elements together, 2 visuals and a sound, these elements are in harmony or disharmony with one another. Through similarity or contrast in content and emotion. In the first frame, a colourful piñata swaying in the fan’s breeze and a confident composer guiding his pupils, paired with the chaotic chirps of the garden birds creates an anxious, unsettling scene amidst fluid gestures. The chatter of birds replaces the serene hum of clarinets, where the rise of the piñata elevates the dance of the composer. Unique relationships, and emotions are formed between ordinary visuals and sounds. This is a start of an ongoing exploration, where I would continue to expand on my collection of visuals and recordings which started in Puebla.

In the first scene, the chaotic chatter of birds replaces the sound of clarinets, where the rise and fall of the piñata elevates the dance of the composer. 

The series of arrangements of these visuals and sounds reimagine the original meanings that we give them.

I participated in a month-long artist residency at Arquetopia in Puebla, Mexico. During this time, I embraced the process of textural mark making and created a short film with my collection of recordings, inspired by the idea of Synesthesia and Mexico as a place.

I’ve always been fascinated with Synesthesia, a condition in which stimulation of one sensory or cognitive pathway leads to involuntary experiences in another. You can think about it as a layering of senses, where multiple connections within the brain are activated. An example is sounds triggering sight, where a synesthete listening to a symphony may see a stream of colours dancing in front of their eyes.

I wanted to use this condition as an inspiration to explore how one sense can be perceived in a new and unexpected way when paired with one or more senses, through the medium of drawings, video and field recordings.